// // Button groups // -------------------------------------------------- // Make the div behave like a button .btn-group, .btn-group-vertical { position: relative; display: inline-block; vertical-align: middle; // match .btn alignment given font-size hack above > .btn { position: relative; float: left; // Bring the "active" button to the front &:hover, &:focus, &:active, &.active { z-index: 2; } &:focus { // Remove focus outline when dropdown JS adds it after closing the menu outline: 0; } } } // Prevent double borders when buttons are next to each other .btn-group { .btn + .btn, .btn + .btn-group, .btn-group + .btn, .btn-group + .btn-group { margin-left: -1px; } } // Optional: Group multiple button groups together for a toolbar .btn-toolbar { margin-left: -5px; // Offset the first child's margin &:extend(.clearfix all); .btn-group, .input-group { float: left; } > .btn, > .btn-group, > .input-group { margin-left: 5px; } } .btn-group > .btn:not(:first-child):not(:last-child):not(.dropdown-toggle) { border-radius: 0; } // Set corners individual because sometimes a single button can be in a .btn-group and we need :first-child and :last-child to both match .btn-group > .btn:first-child { margin-left: 0; &:not(:last-child):not(.dropdown-toggle) { .border-right-radius(0); } } // Need .dropdown-toggle since :last-child doesn't apply given a .dropdown-menu immediately after it .btn-group > .btn:last-child:not(:first-child), .btn-group > .dropdown-toggle:not(:first-child) { .border-left-radius(0); } // Custom edits for including btn-groups within btn-groups (useful for including dropdown buttons within a btn-group) .btn-group > .btn-group { float: left; } .btn-group > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group > .btn-group:first-child { > .btn:last-child, > .dropdown-toggle { .border-right-radius(0); } } .btn-group > .btn-group:last-child > .btn:first-child { .border-left-radius(0); } // On active and open, don't show outline .btn-group .dropdown-toggle:active, .btn-group.open .dropdown-toggle { outline: 0; } // Sizing // // Remix the default button sizing classes into new ones for easier manipulation. .btn-group-xs > .btn { &:extend(.btn-xs); } .btn-group-sm > .btn { &:extend(.btn-sm); } .btn-group-lg > .btn { &:extend(.btn-lg); } // Split button dropdowns // ---------------------- // Give the line between buttons some depth .btn-group > .btn + .dropdown-toggle { padding-left: 8px; padding-right: 8px; } .btn-group > .btn-lg + .dropdown-toggle { padding-left: 12px; padding-right: 12px; } // The clickable button for toggling the menu // Remove the gradient and set the same inset shadow as the :active state .btn-group.open .dropdown-toggle { .box-shadow(inset 0 3px 5px rgba(0,0,0,.125)); // Show no shadow for `.btn-link` since it has no other button styles. &.btn-link { .box-shadow(none); } } // Reposition the caret .btn .caret { margin-left: 0; } // Carets in other button sizes .btn-lg .caret { border-width: @caret-width-large @caret-width-large 0; border-bottom-width: 0; } // Upside down carets for .dropup .dropup .btn-lg .caret { border-width: 0 @caret-width-large @caret-width-large; } // Vertical button groups // ---------------------- .btn-group-vertical { > .btn, > .btn-group, > .btn-group > .btn { display: block; float: none; width: 100%; max-width: 100%; } // Clear floats so dropdown menus can be properly placed > .btn-group { &:extend(.clearfix all); > .btn { float: none; } } > .btn + .btn, > .btn + .btn-group, > .btn-group + .btn, > .btn-group + .btn-group { margin-top: -1px; margin-left: 0; } } .btn-group-vertical > .btn { &:not(:first-child):not(:last-child) { border-radius: 0; } &:first-child:not(:last-child) { border-top-right-radius: @border-radius-base; .border-bottom-radius(0); } &:last-child:not(:first-child) { border-bottom-left-radius: @border-radius-base; .border-top-radius(0); } } .btn-group-vertical > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group-vertical > .btn-group:first-child:not(:last-child) { > .btn:last-child, > .dropdown-toggle { .border-bottom-radius(0); } } .btn-group-vertical > .btn-group:last-child:not(:first-child) > .btn:first-child { .border-top-radius(0); } // Justified button groups // ---------------------- .btn-group-justified { display: table; width: 100%; table-layout: fixed; border-collapse: separate; > .btn, > .btn-group { float: none; display: table-cell; width: 1%; } > .btn-group .btn { width: 100%; } > .btn-group .dropdown-menu { left: auto; } } // Checkbox and radio options // // In order to support the browser's form validation feedback, powered by the // `required` attribute, we have to "hide" the inputs via `opacity`. We cannot // use `display: none;` or `visibility: hidden;` as that also hides the popover. // This way, we ensure a DOM element is visible to position the popover from. // // See https://github.com/twbs/bootstrap/pull/12794 for more. [data-toggle="buttons"] > .btn > input[type="radio"], [data-toggle="buttons"] > .btn > input[type="checkbox"] { position: absolute; z-index: -1; .opacity(0); } .elementor-animation-grow-rotate { transition-duration: 0.3s; transition-property: transform; } .elementor-animation-grow-rotate:active, .elementor-animation-grow-rotate:focus, .elementor-animation-grow-rotate:hover { transform: scale(1.1) rotate(4deg); } {"id":16942,"date":"2022-09-06T19:55:20","date_gmt":"2022-09-06T17:55:20","guid":{"rendered":"https:\/\/www.solucionessmart.com.uy\/smartporteria\/?p=16942"},"modified":"2026-02-14T02:59:12","modified_gmt":"2026-02-14T01:59:12","slug":"britneyspears-lucky-jack-d-elliot-radio-mix-lyrics-39","status":"publish","type":"post","link":"https:\/\/www.solucionessmart.com.uy\/smartporteria\/2022\/09\/06\/britneyspears-lucky-jack-d-elliot-radio-mix-lyrics-39\/","title":{"rendered":"Britney\u00a0Spears Lucky Jack D Elliot Radio Mix Lyrics"},"content":{"rendered":"

An Australian-born guy whose trying to show everyone why games are awesome. Its satisfying gameplay loop kept me coming back for more. If I didn\u2019t, I\u2019d probably be playing it all day.<\/p>\n

Colorless Cards<\/h2>\n

By the time they realize they aren\u2019t getting there, it\u2019s much too late to pivot. A common beginner\u2019s mistake is to take a combo piece early and commit to the deck, assuming that no one else will take the other half of the combo. Drafts and games harshly punish inexperience with the primary strategies, and with games often decided by one or two spells, there is no such thing as a \u201csmall\u201d mistake.
\nFive-color fixing lands are played in any deck with more than one color, and allow drafters to make choices about how much they want to prioritize fixing instead of just rewarding them for the luck of getting passed the right dual land. An early version of the cube included the more typical cycle of original duals, but decks are so small that they don\u2019t really adhere to typical \u201ctwo-color\u201d models. Under these circumstances, the 15 card minimum deck size becomes a liability, and you need ways to recycle your cards or otherwise assemble some kind of inevitability. However, sometimes unstoppable combos run up against immovable disruption and the game grinds to a halt. With so much free disruption in the cube, players must assume even their tapped-out opponents have interaction and sequence their plays accordingly.<\/p>\n

Utility & Ramp Lands<\/h2>\n

Discussion of potential cards and archetypes was near constant, and we drafted the cube every weekend for months. I was fascinated by the novel constraints, radical recontextualization of cards and effects, and the idea of playing Magic with dramatically increased consistency. Not including all of the cards in a given draft risks splitting up combos, potentially torpedoing someone\u2019s draft by pure chance. While I don\u2019t think the draft format is ideal, it hasn\u2019t kept us from having fun with the cube and drafting functional decks. The draft, which consists of 2 packs of 10 cards, is the aspect of the cube I am least happy with.
\nIt too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size. To many, Vintage Cube is the pinnacle of limited Magic \u2014 the most powerful way to draft \u2014 but it\u2019s a far cry from constructed eternal formats. The track was also on the Dream Within a Dream Tour (2001\u201302), where Spears emerged from the middle of a giant music box on the stage as a ballerina, to perform the song in a medley with \u00abBorn to Make You Happy\u00bb and \u00abSometimes\u00bb, right after the performance of \u00abOverprotected\u00bb. David Veitch of the Calgary Sun and Chuck Taylor of Billboard compared the song’s rhythm to the ones of Spears’s previous singles \u00ab…Baby One More Time\u00bb (1998) and \u00abSometimes\u00bb (1999). According to the digital music sheet published at Musicnotes.com, the song is composed in the key of D\u266d major (but will later modulate to E\u266d major at the end of the bridge) and is set in the time signature of common time with a moderate tempo of 95 beats per minute, while Spears’s vocal range spans over an octave, from A\u266d3 to E\u266d5.<\/p>\n

Series by Max Nowaz<\/h2>\n

Like swimming with sharks or eating a Ghost pepper, playing the Degenerate Micro Cube is not for everyone. However, if the match does turn into a battle of attrition, decks with a plan for that contingency are better equipped to go long. Alternatively, Emry and Lurrus allow you to repeatedly cast answers or threats from the graveyard, while a card like Red Sun’s Zenith doubles as an inevitable win condition and removal. Instead, I waited a few turns and sequenced Thoughtseize, into Duress, into Channel all in one turn, which taxed my opponent\u2019s answers just enough that I was able to resolve my Channel and win the game. This may seem like a ludicrous decision, but my opponent knew my deck\u2019s strategy, and I knew they had access to free countermagic. While I run a number of free spells in my primary cube, they are not at a sufficient density that I believe it is correct to play around them.<\/p>\n

About Apple<\/h2>\n

Only 1 food effect can be active at a time. The maximum amount is capped at 750%. Some items, like Essence of Luck, give a magic find bonus. Bulldogs are typically affectionate and friendly, and the Network will not knowingly place a dog with an unsound temperament.
\nScenes of the video are interspersed with Spears singing the song from a billboard and sitting in the middle of a giant star centerpiece, sprinkling glitter down on Lucky. The video begins with Spears telling a story about a very famous Hollywood actress named Lucky, played by Spears herself. In Germany, the song reached number one on the Media Control Charts, being certified gold by the Bundesverband Musikindustrie (BVMI) for shipping over 250,000 units of the single. In Australia, the song peaked at number three, and was later certified platinum by the Australian Recording Industry Association (ARIA), for shipments of more than 70,000 units of the single. On the week of August 28, 2000, \u00abLucky\u00bb debuted at number five on the UK Singles Chart, falling to number six in the following week.
\nBecause they are so situationally powerful and relatively easy to guarantee in your opener, they would completely shut out certain decks and demand enchantment removal or else lose on turn 0. However, because of the small deck size, they can easily be mulled to and therefore play out more like conspiracies. They are actually much stronger because they negate methods of recurring the milled cards, and would be oppressive in my opinion. The relevant Ashioks, Dream Render and Nightmare Weaver, which exile cards from your opponent\u2019s library, are excluded for similar reasons to mill cards. I don\u2019t like the idea of such wildly variable cards, whose variance is largely out of the control of the caster. On the other hand, you might flip half their combo into the yard and win on the spot by pure chance.<\/p>\n