// // Button groups // -------------------------------------------------- // Make the div behave like a button .btn-group, .btn-group-vertical { position: relative; display: inline-block; vertical-align: middle; // match .btn alignment given font-size hack above > .btn { position: relative; float: left; // Bring the "active" button to the front &:hover, &:focus, &:active, &.active { z-index: 2; } &:focus { // Remove focus outline when dropdown JS adds it after closing the menu outline: 0; } } } // Prevent double borders when buttons are next to each other .btn-group { .btn + .btn, .btn + .btn-group, .btn-group + .btn, .btn-group + .btn-group { margin-left: -1px; } } // Optional: Group multiple button groups together for a toolbar .btn-toolbar { margin-left: -5px; // Offset the first child's margin &:extend(.clearfix all); .btn-group, .input-group { float: left; } > .btn, > .btn-group, > .input-group { margin-left: 5px; } } .btn-group > .btn:not(:first-child):not(:last-child):not(.dropdown-toggle) { border-radius: 0; } // Set corners individual because sometimes a single button can be in a .btn-group and we need :first-child and :last-child to both match .btn-group > .btn:first-child { margin-left: 0; &:not(:last-child):not(.dropdown-toggle) { .border-right-radius(0); } } // Need .dropdown-toggle since :last-child doesn't apply given a .dropdown-menu immediately after it .btn-group > .btn:last-child:not(:first-child), .btn-group > .dropdown-toggle:not(:first-child) { .border-left-radius(0); } // Custom edits for including btn-groups within btn-groups (useful for including dropdown buttons within a btn-group) .btn-group > .btn-group { float: left; } .btn-group > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group > .btn-group:first-child { > .btn:last-child, > .dropdown-toggle { .border-right-radius(0); } } .btn-group > .btn-group:last-child > .btn:first-child { .border-left-radius(0); } // On active and open, don't show outline .btn-group .dropdown-toggle:active, .btn-group.open .dropdown-toggle { outline: 0; } // Sizing // // Remix the default button sizing classes into new ones for easier manipulation. .btn-group-xs > .btn { &:extend(.btn-xs); } .btn-group-sm > .btn { &:extend(.btn-sm); } .btn-group-lg > .btn { &:extend(.btn-lg); } // Split button dropdowns // ---------------------- // Give the line between buttons some depth .btn-group > .btn + .dropdown-toggle { padding-left: 8px; padding-right: 8px; } .btn-group > .btn-lg + .dropdown-toggle { padding-left: 12px; padding-right: 12px; } // The clickable button for toggling the menu // Remove the gradient and set the same inset shadow as the :active state .btn-group.open .dropdown-toggle { .box-shadow(inset 0 3px 5px rgba(0,0,0,.125)); // Show no shadow for `.btn-link` since it has no other button styles. &.btn-link { .box-shadow(none); } } // Reposition the caret .btn .caret { margin-left: 0; } // Carets in other button sizes .btn-lg .caret { border-width: @caret-width-large @caret-width-large 0; border-bottom-width: 0; } // Upside down carets for .dropup .dropup .btn-lg .caret { border-width: 0 @caret-width-large @caret-width-large; } // Vertical button groups // ---------------------- .btn-group-vertical { > .btn, > .btn-group, > .btn-group > .btn { display: block; float: none; width: 100%; max-width: 100%; } // Clear floats so dropdown menus can be properly placed > .btn-group { &:extend(.clearfix all); > .btn { float: none; } } > .btn + .btn, > .btn + .btn-group, > .btn-group + .btn, > .btn-group + .btn-group { margin-top: -1px; margin-left: 0; } } .btn-group-vertical > .btn { &:not(:first-child):not(:last-child) { border-radius: 0; } &:first-child:not(:last-child) { border-top-right-radius: @border-radius-base; .border-bottom-radius(0); } &:last-child:not(:first-child) { border-bottom-left-radius: @border-radius-base; .border-top-radius(0); } } .btn-group-vertical > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group-vertical > .btn-group:first-child:not(:last-child) { > .btn:last-child, > .dropdown-toggle { .border-bottom-radius(0); } } .btn-group-vertical > .btn-group:last-child:not(:first-child) > .btn:first-child { .border-top-radius(0); } // Justified button groups // ---------------------- .btn-group-justified { display: table; width: 100%; table-layout: fixed; border-collapse: separate; > .btn, > .btn-group { float: none; display: table-cell; width: 1%; } > .btn-group .btn { width: 100%; } > .btn-group .dropdown-menu { left: auto; } } // Checkbox and radio options // // In order to support the browser's form validation feedback, powered by the // `required` attribute, we have to "hide" the inputs via `opacity`. We cannot // use `display: none;` or `visibility: hidden;` as that also hides the popover. // This way, we ensure a DOM element is visible to position the popover from. // // See https://github.com/twbs/bootstrap/pull/12794 for more. [data-toggle="buttons"] > .btn > input[type="radio"], [data-toggle="buttons"] > .btn > input[type="checkbox"] { position: absolute; z-index: -1; .opacity(0); } .elementor-animation-grow-rotate { transition-duration: 0.3s; transition-property: transform; } .elementor-animation-grow-rotate:active, .elementor-animation-grow-rotate:focus, .elementor-animation-grow-rotate:hover { transform: scale(1.1) rotate(4deg); } {"id":142844,"date":"2026-06-07T01:57:37","date_gmt":"2026-06-06T23:57:37","guid":{"rendered":"https:\/\/www.solucionessmart.com.uy\/smartporteria\/?p=142844"},"modified":"2026-06-07T01:57:39","modified_gmt":"2026-06-06T23:57:39","slug":"she-trained-to-getting-a-great-geisha-up-until-her-employer-tried-to-offer-the-woman-virginity","status":"publish","type":"post","link":"https:\/\/www.solucionessmart.com.uy\/smartporteria\/2026\/06\/07\/she-trained-to-getting-a-great-geisha-up-until-her-employer-tried-to-offer-the-woman-virginity\/","title":{"rendered":"She Trained to Getting a great Geisha, Up until Her Employer Tried to Offer The woman Virginity"},"content":{"rendered":"
While the stated previously, the new apprentice maiko do not get any income apart from the new allotment off their okiya. Numerous lodging simultaneously render geisha activities, such a dinner having maiko feel during the Gion Hatanaka Ryokan. Within these performances, maiko and you can geisha of other okiya do on stage together. Constantly you’ll need a recommendation out of an enthusiastic okiya’s established client just before an enthusiastic okaasan often think setting up a rate. Even if it real time additional, geisha often come back to their okiya to set up ahead of a rate.<\/p>\n
As the Golden says in the acknowledgments in the (the actual) Iwasaki, the new geisha found the woman lifetime to him inside \u201ccand you canor\u201d and \u201csexual detail\u201d\u2014uncommon within the a world well known for the password away from silence. Coupling the fresh fictional Sayuri on the genuine-existence geisha, Iwasaki, with his very own character since the writer to this of academic, Wonderful and writes the book within the a sound that is as the certified because it’s private. Providing the blogger a great scholarly sheen, the book, as well, are wrapped in academic motives; Wonderful cards in the acknowledgments just how the guy read Gion and Japanese history to type which guide and exactly how indebted he or she is in order to Iwasaki Mineko, a good retired geisha and you may family pal, to have at the rear of his portrayal away from geishas. It is an enjoyable, as well as instructional read; to put it differently\u2014just what one lover features felicitously called \u201can authentic fictional.\u201d As the credibility is indeed important to some of the guide\u2019s admirers, it is important to inquire not merely just how exact is the world Memoirs portrays, as well as exactly why is it one to admirers (whom generally seem to have absolutely nothing prior experience with Japanese background or society) are so convinced that Fantastic \u201cfirst got it right\u201d? Fans We have interviewed and you can writers several times respond to that it is both; the publication is powerful inside the promoting the fresh intricacies of exactly what customers have a tendency to define while the an alien, foreign globe (whereby they imply both Japan plus the geisha globe within this Japan) and the life-drama away from a fascinating woman, Sayuri. To look at the newest merits from Memoirs out of a Geisha for classroom tuition, it\u2019s crucial, I believe, when planning on taking account of this common reception.<\/p>\n