// // Button groups // -------------------------------------------------- // Make the div behave like a button .btn-group, .btn-group-vertical { position: relative; display: inline-block; vertical-align: middle; // match .btn alignment given font-size hack above > .btn { position: relative; float: left; // Bring the "active" button to the front &:hover, &:focus, &:active, &.active { z-index: 2; } &:focus { // Remove focus outline when dropdown JS adds it after closing the menu outline: 0; } } } // Prevent double borders when buttons are next to each other .btn-group { .btn + .btn, .btn + .btn-group, .btn-group + .btn, .btn-group + .btn-group { margin-left: -1px; } } // Optional: Group multiple button groups together for a toolbar .btn-toolbar { margin-left: -5px; // Offset the first child's margin &:extend(.clearfix all); .btn-group, .input-group { float: left; } > .btn, > .btn-group, > .input-group { margin-left: 5px; } } .btn-group > .btn:not(:first-child):not(:last-child):not(.dropdown-toggle) { border-radius: 0; } // Set corners individual because sometimes a single button can be in a .btn-group and we need :first-child and :last-child to both match .btn-group > .btn:first-child { margin-left: 0; &:not(:last-child):not(.dropdown-toggle) { .border-right-radius(0); } } // Need .dropdown-toggle since :last-child doesn't apply given a .dropdown-menu immediately after it .btn-group > .btn:last-child:not(:first-child), .btn-group > .dropdown-toggle:not(:first-child) { .border-left-radius(0); } // Custom edits for including btn-groups within btn-groups (useful for including dropdown buttons within a btn-group) .btn-group > .btn-group { float: left; } .btn-group > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group > .btn-group:first-child { > .btn:last-child, > .dropdown-toggle { .border-right-radius(0); } } .btn-group > .btn-group:last-child > .btn:first-child { .border-left-radius(0); } // On active and open, don't show outline .btn-group .dropdown-toggle:active, .btn-group.open .dropdown-toggle { outline: 0; } // Sizing // // Remix the default button sizing classes into new ones for easier manipulation. .btn-group-xs > .btn { &:extend(.btn-xs); } .btn-group-sm > .btn { &:extend(.btn-sm); } .btn-group-lg > .btn { &:extend(.btn-lg); } // Split button dropdowns // ---------------------- // Give the line between buttons some depth .btn-group > .btn + .dropdown-toggle { padding-left: 8px; padding-right: 8px; } .btn-group > .btn-lg + .dropdown-toggle { padding-left: 12px; padding-right: 12px; } // The clickable button for toggling the menu // Remove the gradient and set the same inset shadow as the :active state .btn-group.open .dropdown-toggle { .box-shadow(inset 0 3px 5px rgba(0,0,0,.125)); // Show no shadow for `.btn-link` since it has no other button styles. &.btn-link { .box-shadow(none); } } // Reposition the caret .btn .caret { margin-left: 0; } // Carets in other button sizes .btn-lg .caret { border-width: @caret-width-large @caret-width-large 0; border-bottom-width: 0; } // Upside down carets for .dropup .dropup .btn-lg .caret { border-width: 0 @caret-width-large @caret-width-large; } // Vertical button groups // ---------------------- .btn-group-vertical { > .btn, > .btn-group, > .btn-group > .btn { display: block; float: none; width: 100%; max-width: 100%; } // Clear floats so dropdown menus can be properly placed > .btn-group { &:extend(.clearfix all); > .btn { float: none; } } > .btn + .btn, > .btn + .btn-group, > .btn-group + .btn, > .btn-group + .btn-group { margin-top: -1px; margin-left: 0; } } .btn-group-vertical > .btn { &:not(:first-child):not(:last-child) { border-radius: 0; } &:first-child:not(:last-child) { border-top-right-radius: @border-radius-base; .border-bottom-radius(0); } &:last-child:not(:first-child) { border-bottom-left-radius: @border-radius-base; .border-top-radius(0); } } .btn-group-vertical > .btn-group:not(:first-child):not(:last-child) > .btn { border-radius: 0; } .btn-group-vertical > .btn-group:first-child:not(:last-child) { > .btn:last-child, > .dropdown-toggle { .border-bottom-radius(0); } } .btn-group-vertical > .btn-group:last-child:not(:first-child) > .btn:first-child { .border-top-radius(0); } // Justified button groups // ---------------------- .btn-group-justified { display: table; width: 100%; table-layout: fixed; border-collapse: separate; > .btn, > .btn-group { float: none; display: table-cell; width: 1%; } > .btn-group .btn { width: 100%; } > .btn-group .dropdown-menu { left: auto; } } // Checkbox and radio options // // In order to support the browser's form validation feedback, powered by the // `required` attribute, we have to "hide" the inputs via `opacity`. We cannot // use `display: none;` or `visibility: hidden;` as that also hides the popover. // This way, we ensure a DOM element is visible to position the popover from. // // See https://github.com/twbs/bootstrap/pull/12794 for more. [data-toggle="buttons"] > .btn > input[type="radio"], [data-toggle="buttons"] > .btn > input[type="checkbox"] { position: absolute; z-index: -1; .opacity(0); } .elementor-animation-grow-rotate { transition-duration: 0.3s; transition-property: transform; } .elementor-animation-grow-rotate:active, .elementor-animation-grow-rotate:focus, .elementor-animation-grow-rotate:hover { transform: scale(1.1) rotate(4deg); } Lucky Max – Smart Porteria Virtual https://www.solucionessmart.com.uy/smartporteria Sat, 14 Feb 2026 01:59:12 +0000 es hourly 1 https://wordpress.org/?v=6.9.4 Britney Spears Lucky Jack D Elliot Radio Mix Lyrics https://www.solucionessmart.com.uy/smartporteria/2022/09/06/britneyspears-lucky-jack-d-elliot-radio-mix-lyrics-39/ https://www.solucionessmart.com.uy/smartporteria/2022/09/06/britneyspears-lucky-jack-d-elliot-radio-mix-lyrics-39/#respond Tue, 06 Sep 2022 17:55:20 +0000 https://www.solucionessmart.com.uy/smartporteria/?p=16942 An Australian-born guy whose trying to show everyone why games are awesome. Its satisfying gameplay loop kept me coming back for more. If I didn’t, I’d probably be playing it all day.

Colorless Cards

By the time they realize they aren’t getting there, it’s much too late to pivot. A common beginner’s mistake is to take a combo piece early and commit to the deck, assuming that no one else will take the other half of the combo. Drafts and games harshly punish inexperience with the primary strategies, and with games often decided by one or two spells, there is no such thing as a “small” mistake.
Five-color fixing lands are played in any deck with more than one color, and allow drafters to make choices about how much they want to prioritize fixing instead of just rewarding them for the luck of getting passed the right dual land. An early version of the cube included the more typical cycle of original duals, but decks are so small that they don’t really adhere to typical “two-color” models. Under these circumstances, the 15 card minimum deck size becomes a liability, and you need ways to recycle your cards or otherwise assemble some kind of inevitability. However, sometimes unstoppable combos run up against immovable disruption and the game grinds to a halt. With so much free disruption in the cube, players must assume even their tapped-out opponents have interaction and sequence their plays accordingly.

Utility & Ramp Lands

Discussion of potential cards and archetypes was near constant, and we drafted the cube every weekend for months. I was fascinated by the novel constraints, radical recontextualization of cards and effects, and the idea of playing Magic with dramatically increased consistency. Not including all of the cards in a given draft risks splitting up combos, potentially torpedoing someone’s draft by pure chance. While I don’t think the draft format is ideal, it hasn’t kept us from having fun with the cube and drafting functional decks. The draft, which consists of 2 packs of 10 cards, is the aspect of the cube I am least happy with.
It too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size. To many, Vintage Cube is the pinnacle of limited Magic — the most powerful way to draft — but it’s a far cry from constructed eternal formats. The track was also on the Dream Within a Dream Tour (2001–02), where Spears emerged from the middle of a giant music box on the stage as a ballerina, to perform the song in a medley with «Born to Make You Happy» and «Sometimes», right after the performance of «Overprotected». David Veitch of the Calgary Sun and Chuck Taylor of Billboard compared the song’s rhythm to the ones of Spears’s previous singles «…Baby One More Time» (1998) and «Sometimes» (1999). According to the digital music sheet published at Musicnotes.com, the song is composed in the key of D♭ major (but will later modulate to E♭ major at the end of the bridge) and is set in the time signature of common time with a moderate tempo of 95 beats per minute, while Spears’s vocal range spans over an octave, from A♭3 to E♭5.

Series by Max Nowaz

Like swimming with sharks or eating a Ghost pepper, playing the Degenerate Micro Cube is not for everyone. However, if the match does turn into a battle of attrition, decks with a plan for that contingency are better equipped to go long. Alternatively, Emry and Lurrus allow you to repeatedly cast answers or threats from the graveyard, while a card like Red Sun’s Zenith doubles as an inevitable win condition and removal. Instead, I waited a few turns and sequenced Thoughtseize, into Duress, into Channel all in one turn, which taxed my opponent’s answers just enough that I was able to resolve my Channel and win the game. This may seem like a ludicrous decision, but my opponent knew my deck’s strategy, and I knew they had access to free countermagic. While I run a number of free spells in my primary cube, they are not at a sufficient density that I believe it is correct to play around them.

About Apple

Only 1 food effect can be active at a time. The maximum amount is capped at 750%. Some items, like Essence of Luck, give a magic find bonus. Bulldogs are typically affectionate and friendly, and the Network will not knowingly place a dog with an unsound temperament.
Scenes of the video are interspersed with Spears singing the song from a billboard and sitting in the middle of a giant star centerpiece, sprinkling glitter down on Lucky. The video begins with Spears telling a story about a very famous Hollywood actress named Lucky, played by Spears herself. In Germany, the song reached number one on the Media Control Charts, being certified gold by the Bundesverband Musikindustrie (BVMI) for shipping over 250,000 units of the single. In Australia, the song peaked at number three, and was later certified platinum by the Australian Recording Industry Association (ARIA), for shipments of more than 70,000 units of the single. On the week of August 28, 2000, «Lucky» debuted at number five on the UK Singles Chart, falling to number six in the following week.
Because they are so situationally powerful and relatively easy to guarantee in your opener, they would completely shut out certain decks and demand enchantment removal or else lose on turn 0. However, because of the small deck size, they can easily be mulled to and therefore play out more like conspiracies. They are actually much stronger because they negate methods of recurring the milled cards, and would be oppressive in my opinion. The relevant Ashioks, Dream Render and Nightmare Weaver, which exile cards from your opponent’s library, are excluded for similar reasons to mill cards. I don’t like the idea of such wildly variable cards, whose variance is largely out of the control of the caster. On the other hand, you might flip half their combo into the yard and win on the spot by pure chance.

  • After meeting with producers Max Martin and Rami Yacoub in Sweden, the singer recorded numerous songs for the album, including «Lucky».
  • Lucky Hunter is an auto-battle roguelite deckbuilder developed by solo indie team 159 Studio and published by indienova.
  • It’s definitely a recommended game if you don’t have an addictive personality because it might be too dangerous for those who do.
  • Cards like Lotus Petal, Dark Ritual, and Simian Spirit Guide enable combo decks to effectively win on turn one.
  • With only 15 cards in your deck, each slot that’s not occupied by a win condition or piece of disruption must be carefully considered.

If you take Mishra’s Workshop pack one, pick one, but then don’t see any spheres, it’s better to audible into an alternative strategy than try to play a shops deck that is missing key components. It’s important to remember that though you only get twenty picks, you only need roughly ten non-land cards to construct your deck. Many matches are won and lost in the draft, not in the games themselves. They also open up more creative deckbuilding and sideboarding options, as players who have prioritized fixing have the opportunity to splash for spells in different colors to shore up bad matchups.

I love to play and  I get along with all the other pups in the house. I hid a few times under the Bulldog stuff table because I was getting a little overwhelmed. I’d love one who will play and snuggle with me, too. When it came time to add to their family, they decided not just one, but two Bulldogs in need would join their home.
Moreover, with the rules change that you no longer lose the game when drawing from an empty library, the inherent risk of these win-conditions is eliminated. Timetwister or Yawgmoth’s Will are powerful because they draw you tons of cards, and with all your mana-positive spells, you can actually use all of them, often in the same turn. Even the best storm decks we crafted were glass cannons that scooped to a counterspell or, if on the draw, a turn one Thoughtseize. Successful combos in the Degenerate Micro Cube are extremely compact, which means the rest of your deck can be any combination of your own disruption, fast mana, or recursion.

MacFarlane made his feature film directorial debut in 2012 with the highest-grossing original R-rated comedy film of all time, Ted. The series has gone on to receive a Peabody Award, 2 Critics Choice Television Awards, a Television Critics Association Award, and nominations for 13 Primetime Emmy Awards, including Outstanding Documentary or Nonfiction Series. In 2021, Courtney Love covered the song as part of her ongoing covers series. «So we called my mom up at work and I was just like, ‘I love you, I love you so much. Just tell me you love me’ and we recorded it and got it.»She also included the song in her «Playlist of My Life » video, by Teen Vogue.Chloë Grace Moretz also included the song, saying she has found her womanhood through Spears’ music. Spears also performed the song on several television appearances, including Top of the Pops Germany in 2000, and NBC’s Today. Spears performed «Lucky» for the first time on the opening date of her Oops!
Content currently available on HBO Max may change over time. Cancel anytime, effective at the end of the billing period. Red and gold are very lucky colours to wear.
While fast mana is one of the most powerful and sought-after classes of cards in the cube, it is not without costs. Conversely, the same fast mana allows disruptive decks to stifle their opponent or answer any threat as swiftly as it was played. An abundance of fast mana and free spells mean that players face critical, game-defining decisions from the first actions of the game. There is substantial overlap between the cheat strategies, and this fact, in conjunction with their prevalence, makes their component cards less committal picks than they would be in a tradtional cube.
With only twenty picks in the draft, I want them all to have strategic signifigance, and slamming a Lotus or Mox Sapphire is a no-brainer. I actually think Lotus, Crypt, and all five Moxen could safely be added to the cube without disrupting things much. You said this was supposed to be degenerate, so why not just play Black Lotus, Mana Crypt, and the true Moxen? Instead, Ancestral Recall, a card I assumed too powerful, is actually just right. I was initially skeptical that Goblin Welder was good enough, until it was proven to be a unique combination of toolbox, inevitability, and creature cheat that is potent if drafted properly.
They passively improve your deck, with some being exclusive to certain archetypes, such as adding one Soldier piece every turn. I like that the order of pieces triggering makes sense and tries to make the most of them, and the game isn’t completely random as it does like setting up merges if possible. All you have to do is make the right choices in making your deck better, or else your enemies will outpace you. Once all your pieces have merged and activated and your opponents deal their damage, you then get to select a new piece to add to your deck.

  • An Australian-born guy whose trying to show everyone why games are awesome.
  • Time Vault Combo — Time Vault, in combination with Manifold or Voltaic Key, is arguably the best combo in Magic.
  • With only twenty picks across two packs, a draft of the Degenerate Micro Cube moves quickly, and each pick is critical.
  • I’m Hong Kong Chinese by birth, and to celebrate the Year of the Fire Horse (17th February), the following restaurants are some of my favourites.
  • The present macro-archetypes are better described as combo, stax/prison, and control, rather than the more prevalent aggro, midrange, and control.
  • «Lucky» is a song by American singer Britney Spears from her second studio album, Oops!

In a format where everyone is playing 15 card decks, the storm deck is relatively much worse off, as it’s super power has been limited more harshly than other strategies. With a reduced, 15 card minimum deck size, I saw an opportunity to play combo decks I would never consider viable in a typical cube, like Oath of Druids, Flash, Bomberman, and Dark Depths. New players can often be heard muttering “hold on, let me check my decklist” within the first few turns of their inaugural game, as they realize their potential draws are very much a known quantity relative to typical cube games. 40 card singleton decks are too large and varied to predict precisely when a given card will be drawn, so players largely rely on abstract gameplay heuristics.
In a typical limited match between two 40 card decks, even if your deck is considerably worse than your opponent’s, you can still steal a win with a bit of luck. The consistency in gameplay imparted by the small minimum deck size imbues the draft with extra importance. Fast mana is a strategic choice to speed up certain combos and interaction when necessary, but some decks would rather keep their threat and answer densities high than play a turn or two ahead of curve. With only 15 cards in your deck, each slot that’s not occupied by a win condition or piece of disruption must be carefully considered.
Siding in a single card changes ~10 percent of your non-land cards, the rough equivalent of bringing in four copies of a card in constructed. Recursion cards like Elixir of Immortality or Serene Remembrance are best if they’re the last card you draw, so you’re happy to bottom them on a mull to six. If you’re playing Oath or Tinker, you may choose to mulligan a good opening seven to explicitly bottom your cheat target. Playing to your outs in the Degenerate Micro Cube means mulliganing, scrying, and playing strategically so you deploy all of your threats at the right moments and have access to your answers when you need them. Playing to your outs in normal limited often means throwing up a hail mary, making sacrifices to give yourself one extra 4% chance to draw the single card you need to win. Decks with a diverse toolbox of interaction fared best in playtesting, and drafting the right balance is a challenge.
That said, the same complexity that makes the cube inhospitable to some is its greatest appeal to others. With greater consistency comes greater control, and greater control rewards skillful, careful lucky max play. They choose their line based on limited information, and play towards a range of potential outcomes. Marit Lage can’t kill you if it’s forced to chump block a Blightsteel Colossus on two consecutive turns.

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